My Electric Clavichord,

With solid Ash soundboard, Steel strings,

and hand made magnetic humbucking pickups


My copy of a Christoph Friederich Schmahl  1787

        About half of my musical instrument filled life has been taken not on violins, but in building historically accurate copies of 1700s Baroque clavichords, a keyboard instrument popular with German musicians like JS and CPE Bach, even Haydn and Mozart. The clavichord is the quietest keyboard instrument, but in many ways the most beautiful and expressive sounding keyboard. It is the only keyboard that allows one to play vibrato, like on a violin, by pushing the key up and down, changing the pitch noticeably, While it plays louder and softer like a piano, its range is more from pianissimo to ppp, than forte to piano, like a piano. It is about 1/4 as loud as a quieter harpsichord. The instrument I built pictured above is a special and incredibly large variation on the clavichord called the Cembal d'Amour invented around 1721 by a famous organ builder friend of JS Bach's named Gottfried Silbermann. Many of his organs are still played in churches around Germany today. This particular instrument is 9 1/2 feet wide and somewhat louder than most clavichords, because it has two soundboards, striking the strings precisely in the middle, with effectively 4 strings vibrating per note instead of two, like the quieter clavichord. I was able to get a top recording artist, who unfortunately wants to remain anonymous, to record an amazing CD of this instrument and three other clavichords I have built. Thanks to the wonders of computers the whole CD is available on youtube, and I post the links to the recordings below.

Reconstruction of Cembal d'Amour circa 1721 

Third Donat keyboard and inlay detail

          While I have the greatest love for the clavichord and its music, and am an accomplished amateur player ( I do not play the violin), and having built almost 20 clavichords which in today's dollars would sell for $10,000-$40,000, when you deduct all the legitimate expenses and costs incurred in building clavichords, the pay sucks, big time. I'm a very slow, meticulous,  and perfectionist maker, and when I did the bookkeeping after 7 years almost full time building clavichords, my hourly wage worked out at substantially below minimum, not worth the effort given it involves risking life and limb using dangerous power tools, IMHO. After three serious accidents with three different power tools, I consider myself lucky to still have all my fingers. I was so glad to get back into the relative sanity of hand tool violin work after much grief trying to make a living at clavichords. I thank God I now have a fine example of my keyboards to play on at home as I went some years without a clavichord to play, having sold my  last one to pay the bills.

I am an amateur keyboard player. Directly below are three youtube videos of my playing. 1; playing JS Bach, etc. on the Anon AA-f3  2: playing my electric clavichord(see pic below), and 3: Pendulum; with me on electric clavichord  and with electric guitar.

My third copy of Johann Jacob Donat 1700

My first copy of Johann Jacob Donat,  1700  Leipzig


Reproduction from microfilm of the early 1700s drawing of the Cembal d'Amour by Matheson that my instrument is based on